Film of the week: The Fall Guy, plus ticket giveaway
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
The Japanese director behind 2021’s Drive My Car delivers a beautiful and contemplative eco-drama that ends with one of this year’s most harrowingly haunting endings.
Alex Garland divides opinions, and America, in a nihilistic war fantasy. And the surprise Spanish animated Robot Dreams is a charming piece that both breaks and…
The new Australian cult horror film delivers the goods but falls short of brilliance.
It is the long-awaited double-bill of the year from two acclaimed-filmmakers: Barbie versus Oppenheimer.
This uniquely international production, shot in Australia, offers a new take on Bizet’s Carmen. With Paul Mescal and Melissa Barrera, it is visually powerful and more…
This week Australia’s finest filmmaker is joined by the country’s finest actor, for a film about the destructive nature of our colonial past, while the…
David Lowery returns to Disney for a justified and charming remake, while Nida Manzoor brings us the year’s first crowd pleaser
Louis Garrel signs a charming little French comedy caper that does everything right, even if nothing in takes your breath away
Japanese master of social-realism Hirokazu Koreeda makes his first film outside of his native country, and an American indie feature debut taps into that millenial…
Keanu Reeves takes one last ride as John Wick in the fourth film of the action saga, and Of An Age, a heartbreaking Australian gay-awakening…
This week Andrea Riseobourgh proves that her Oscar nod was well deserved, while Bobby Farrelly does the offensively bare minimum
Sarah Polley’s thought-provoking Women Talking confronts oppression and patriarchy as two interchangeable concepts, while Marvel’s Ant-Man does the bare minimum