Film of the week: The Fall Guy, plus ticket giveaway
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
Ryan Gosling and Emily Blunt star in a love letter to the stunt professionals of Hollywood. Shot in Sydney’s CBD, it offers little beyond impressive…
The Japanese director behind 2021’s Drive My Car delivers a beautiful and contemplative eco-drama that ends with one of this year’s most harrowingly haunting endings.
Alex Garland divides opinions, and America, in a nihilistic war fantasy. And the surprise Spanish animated Robot Dreams is a charming piece that both breaks and…
Alexander Payne returns to a style in which he thrives, with Paul Giamatti reminding everyone why he’s one of the sharpest actors in Hollywood.
LSJ chooses the 10 best films released in Australia during this calendar.
Timothée Chalamet brings back the charm to the Roald Dahl character, and shows his singing range, in this year’s most delightful holiday movie.
The last great master of animation bows out, and one of the best American screenwriters powers through
Ken Loach draws the curtain on an impressive filmography, and Emma Seligman signs her second, and sadly disappointing, sophomore.
Hollywood finally looks at the story of Napoleon, with Ridley Scott helming Joaquin Phoenix, but it’s a little Australian indie that wins the week.
Following the success of Promising Young Woman, Emerald Fennell aims at the rich and privileged in this pulpy and obscene thriller.
The Marvel Cinematic Universe hasn’t found its stride since The Avengers, but at least this latest chapter has good ideas behind it.
Australian director Garth Davis is joined by two of the biggest talents of this generation for a flawed film that still pulls a powerful punch.
Back in the world of thrillers, David Fincher takes the chance to explore some overlooked themes of the genre.